Thursday, July 28, 2016

Rediscovering Veenatai Sahasrabuddhe – Exemplary artist of Paluskar Tradition


Rediscovering Veenatai Sahasrabuddhe – Exemplary artist of Paluskar Tradition 

                                                                                                                                                                                                                                                                                           Anjali Malkar

On 29th June this year, Veenatai departed, for the heavenly abode. She became one with the the eternal sound of the universe.  For the last four years, us, students were watching her, battling helplessly with an incurable disease.  We were in awe of Baba’s (Dr. Hari Sahasrabuddhe) ability to savor every precious moment with Veenatai, displaying strength to face the adversity with courage and fortitude.
As for me, I was fortunate to be her disciple for many years, the years when her career was on flight. Armed with a degree of M.A music, I joined her class and for ten years for at least three hours nearly every day, I had witnessed her magician-ship in singing.  Whether there be a festival, or a holiday, all the days in the year were converted into music celebration.  A simple and graceful woman, Veenatai was an ultimate example of an inspired musician for me. The obsession I experienced during those days is unforgettable. Veenatai purposefully avoided indulgence in matters other than music and focused on improvement in music making. She introduced to us to the compositions of Pt Ramashreya Jha, Pt Balwantrai Bhatt, and Pt. Vasant Thakar and also to the music of her father Pt. Shankar Shreepad Bodas and her brother Pt. Kashinath Shankar Bodas. Flawless both in words and tunes, she demonstrated the beauty of the compositions with great ease. When I joined her class, I was a small girl coming from a small town. Every class opened the deepest caves of musical treasure and I felt overwhelmed and desperate at the same time.  The glittering notes, meaningful words in the Bandish imbibed in us, the aesthetic beauty of lyrics in Classical music.
Veenatai was a humble musician.  As I remember, she never felt beneath to learn a particular bandish she needed for the cassette from a novice girl like me. She sat for hours with a Dagga to teach a large group of multileveled students in SNDT College even on fasting days without a slightest sign of exertion. Long after she resigned from the college, the department still cherished the memories of her dedication to the